Directed by Singapore’s Ivan Heng and Malaysia’s Jo Kukathas, Another Country takes us on a trip through our shared memories and divergent dreams with the most provocative, humorous and unlikely texts.
Do you have a sibling whom you did love to hate? Whose character and yours’ is a worlds apart despite coming from the same loins? Welcome to Another Country, W!ld Rice’s latest Causeway-spanning production. Another Country runs in the Drama Centre Theatre from 25 June to 11 July 2015.
Connecting the dots between the two rival countries whose culture and values are conjoined in more ways than one, the two-and-a-half hour production was broken up into two segments; Sayang Singapura, a selection of 35 Singapore texts curated by Singaporean playwright Alfian Sa’at, and Tikam-Tikam: Malaysia@Random 2, a selection of 29 Malaysia texts curated by Malaysian playwright Leow Puay Tin.
There is a twist though. Instead of Singaporean actors taking on Singapore’s text and Malaysia’s actors on Malaysia’s text, the production had Malaysian actors performing the scenes from Singapore’s most iconic poems, novels, plays and writing, and vice versa.
Photo Credits: Wong Horng Yih, courtesy of W!ld Rice
The show opens with the Malaysian actors reenacting the most recognisable scene from The Malay Annals where Palembang prince Sang Nila Utama spots the mysterious and majestic orange bodied, black headed and white neck breast creature whom he calls the ‘lion’.
Moving at a steady pace, the actors transit effortlessly from scene to scene, exploring some of Singapore’s most representative yet understated writings and stories. While national service is a stated-funded celebrated affair, there was a time where our boys tried all ways and means to skip national service via Petition to the Colonial Governor for National Service Exemption. Unlike our Western counterparts, we are known for our traditional beliefs and heterosexual standpoints. Even so, there’s more to the seemingly prim and proper Singapore than meets the eye in Michael Chiang’s Private Parts, exploring the dynamics of Singaporeans and sex-change in the city state.
Witness the infamous bribery of Malaysian officers in action, explore Singapore’s fanaticism to one-up each other through the lives of ordinary Singaporean housewives in Arthur Yap’s 2 mothers in a hdb playground, or hear stories from the other side (Lim Chee Siong) in Tan Jing Quee’s LCS: In Memoriam.
Photo Credit: Albert Lim KS, courtesy of W!ld Rice
Forget about the Man in White or the struggle for independence story for a while. Ditching the highly marketable ‘Singapore Story’ narrative that Singapore is known for, Sayang Singapura takes a hard look into the stories and events from the other side of history that make and shape us to who we are today. “It would indeed be a pity if we sidelined many of our stories in the service of a singular triumphalist narrative known as the Singapore Story”, as quoted from Sa’at.
Before the 15 minute intermission, audiences were invited to participate in a round of Tikam-Tikam (Malay for choosing randomly, also a common Malay game) to determine the sequencing of the Malaysian text to be acted out within the hour-long Tikam-Tikam: Malaysia@Random 2 segment curated by Leow. This also means that no two show is the same with the exact sequence.
Unlike the melancholy and seriousness in the Sa’at’s selection, Leow’s selection of Malaysia’s text was a more lighthearted and humourous one, perhaps highlighting the difference in tonality of both countries’ style of play and governance. Clueless to Malaysian texts, I was a little lost during the second half. But there were also several ‘aha’ moments throughout the show as the actors race through the various scenes in that hour. Didn’t Singapore’s text also have a scene from The Malay Annals? Why is The Chef’s Secret Chicken rice recipe being explained under Malaysia’s section ah? Wait a second, isn’t Emily of Emerald Hill a Singapore play?
Singapore Janice Koh’s monologue performance of a pork-loving toilet cleaner in curator Leow’s Ang Tau Mui hits a raw nerve and revealed the fundamental racial problem that plagues Malaysia till this day. I was particularly amused by Mark Teh’s Daulat: Long Live, denoting the common citizens’ satirical salutation and dig at political leaders in Malaysia which also reminds me of Singapore.
Putting together a production piece with a combined total of more than 50 of both countries’ most acclaimed texts into a two-and a-half-hour show is not easy at all. But the immensely talented creative team from both sides of the Causeway made it look simple. The combined cast of Malaysia’s Ghafir Akbar, Sharifah Amani, Anne James, Alfred Loh, Iedil Putra and Singapore’s Sharda Harrison, Gani Karim, Janice Koh, Lim Yu-Beng and Siti Khalijah Zainal were phenomenal. Despite the varied intensity and emotions experienced across different excerpts, I found it easy to transit between the different scenes.
While the entire production felt like an extremely potent Rojah dish, I do wish that there was more time set aside to explore the rich themes behind the texts from both countries. But it’s a two-and a-half-hour show after all and something’s gotta give, right? Also, audiences who do not have any literary background or are not acquainted with literary texts from their own country might experience some difficulty in understanding the play.
As we examine the unique relationship between Singapore and Malaysia, we see two countries with a totally different present. Yet through it all, we continue to share memories through our deeply connected past which so thoroughly weaves both countries together. Yes, we may laugh at each other, but perhaps we could do with a little less (or more) seriousness, or to be more (or less) laid-back. If you are a literary buff, you got to watch Another Country for it will leave you wanting more. RW
Many thanks to W!ld Rice for the media invite.
Drama Centre Theatre
Opens 25 June to 11 July 2015
Ticket Pricing: $45 – $75
Web Link: ANOTHER COUNTRY